GUITAR TEACHER LONDON

Photosonic Improvisation Mystery Solved in Full-Day Guitar Lecture

Demand for Electric Guitar Improvisation courses has never been higher, a new survey reveals. Guitar Guru, Teacher-Mentor of 25000 guitar students over the years, and one of this countries major guitar talents, John Mizarolli agrees: ‘I’ve had 1000s of enquiries from my website - all potential students, and I can’t possibly teach them all myself right now. There are only so many hours in the day!’  John’s answer to the exploding demand for electric guitar improvisation lessons apart from teaching through the night as well  - is his new 5-hour improvisation crash-course, a preview of the successful Cosmic Guitar Course, including live demonstrations. He states: ‘I’m putting together a series of 5 hour lectures to cram more people in and prepare them for the Cosmic Guitar Course. Delegates from around the world get 50 Cds/Dvds before the lecture even starts so they gain maximum benefit; you can get a taster of the awesome live demonstrations and should you have lots of questions, get them ready to ask on the actual day.’

Mizarolli is a skilled technician, an inventive player very much in the Hendrix mould, but metal, blues and jazz styles are all responsive to his martial arts approach which uses chi energy and Zen mastery of sound muscle co-ordination. The courses are based around improvisation, without the necessity to read music, which a lot of students consider good news. The popularity of Music of the Sphere’s courses have been attributed to the claim that they offer a method to obtain limitless knowledge of music, resulting in total self-control in any sphere concerning music or it’s technology! The course is based on a harmonisation of spirit, mind and body and stresses the importance of understanding music as a science and a tool to release pure emotion. John insists ‘Although the mind study is complex, the practical progress achieved after 6 months of intense study are comparable to 5 years of conventional study’.

Experience the latest Guitar Technology - ‘Guitar Sounds’ - Audio Visual Magazine

Part of the days introductory lecture - which is already attracting international delegates, as it is taught nowhere else in the world - are likely to include live demonstrations of some of the latest guitar technology as played on Guitar Sounds Electronic Magazine, on the website mizarolli.net. The latest equipment from Fender, Messer Boogie, Jackson, Roland, Sonus, T.C. Electronic, Emerald Guitars and others are reviewed and demonstrated with original improvised material using chromasonics whilst John explores the full tonal range and musical possibilities of the instruments and technology.  Roland, upon hearing Johns demo of their VGA7 Amp, immediately endorsed him as ‘one of this countries true guitar virtuosos’ on their website roland.co.uk.and are using it for their own promotions.

John’s Cosmic Guitar Course has attracted widespread media curiosity over the years, especially as it has some revolutionary scientific claims, concerning light and sound relationships. Comparisons are drawn between Pythagorean geometry and the dimensions of music theory, which are described as sound polygons. These are explored in-depth throughout the one-day course, which appeals to guitar professionals, semi-pros and enthusiastic beginners.

John Mizarolli can be found in the International Encyclopaedia of Rock and Heavy Metal as a ‘Virtuoso Extraordinaire’ and Kerrang! has described his playing as ‘Stupifying Wizardry’.  BB King’s bassist for ten years, the late Big Joe Turner endorsed John as the UK’s leading blues guitarist. John has performed with Stevie Winwood, Ginger Baker’s ‘Energy’ and other luminaries. A master of music theory he quotes an impressive assortment of players amongst past and present students. Stereophonic’s producer Steve Bush has attended weekly tuition for over 2 years, which Mizarolli insists should give one the equivalent of 5 years progress when compared to conventional teaching methods. So what does Steve Bush, one of today’s leading rock producers in the UK think of photosonics, which claims to use the latent technique of ‘seeing music as colour.’ or ‘The lost Chord’, a system called Chromasonics?  And how has it helped him with his producing or writing?

Quote from Steve Bush, STEREOPHONICS Producer of 3 No1 Albums (Steve is currently one of my Guitar Students!)

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For Press, TV or Radio interviews contact mizarolli@yahoo.co.uk

*NB. Stereophonics and Ronnie Wood’s producer Steve Bush could be available for media interviews
on applications of photosonic principles within professional music environments.

 *Selected music media are to be invited to benefit from the full - day lecture and press reception